PREVIOUS EDITIONS

Since 2014, the small-form ceramics prize, promoted by the art school, has been perpetuated. Over time, this event questions the relationship between art and technique while favoring the porosity of genres (fine arts, applied arts and decorative arts ...). He confuses reality and the imaginary and reveals the multiple and abundant universe of ceramic creation ...

THEME 2022

Candlesticks, candelabras or candle holders

A candelabra is a device used to hold church tapers, tallow or wax candles and usually consists of a foot and stem which may then be divided into several branches. The candelabra sometimes has a bobeche, like a small cup which holds the candle; or a bowl surmounted by a spike (the candle spike).
A candlestick, on the other hand, is a short candelabra which consists of a plate and a small candle cup. It has a handle or thumb ring loop which makes it easy to carry.
Although they were abandoned in favour of electric lighting, it would seem that candles are much more than just an emergency light source. They are making a comeback both inside and outside the home. Candelabras and candlesticks are both practical and decorative objects which create an attractive play of light and shadow. They can be used for contemplation or meditation during religious ceremonies or spiritual rituals. If you're after a more intimate setting and subdued lighting, they can help create a warm and romantic atmosphere.
The candelabra is now back in fashion and is available in a variety of forms, embracing new shapes, aesthetics and uses, often bearing no resemblance to the traditional candelabra.

The selected participants

Audrey Ballacchino (France) / Julie Bergeron (France-Canada) / Paul Bonnin-Jusserand (France) / Capri (France) / Noémie Carvalho (France) / Ana-Belen Castillo (France) / Valérie Ceulemans (Belgique) / Estelle Chatté (France) / Rose Coogan (USA) / Alexia Delrieu (France) / Céline Dodelin (France) / Jimi Duhamel (France) / Séverine Emery-Jaquier (Suisse) / Pauline Guidera (France) / Gaelle Guingant-Convert (France) / JJ von Panure (France) / Perrine Kuhn (France) / Anne Lavandy (Belgique) / Claude Le Guay (France) / Violette Legrand (Belgique) / Odile Levigoureux (France) / Inès Levézier (France) / Lisa Maïofiss (France) / Josselin Metivier (France) / Hélène Mougin (France) / Amandine Obis (France) / Florence Pauliac (France) / Simon Pavec (France) / Véronique Piotto (France) / Elodie Pruvost (France) / Fanny Richard (France) / Philippe Ringot (France) / Hélène Rivière (France-Belgique) / Alan Robinet (France) / Lana Ruellan (France) / Dominique Stutz (France) / Beatriz Trepat (Argentine-France) / Angélique Walkenäere (France) / Caroline Worner (France)

The winner : Simon Pavec
Musée de la Chartreuse award

The museum prize awards: Capri.
Once the exhibitions have been presented, the Lapinus Curiosis ceramics will enter the collections of the Douai museum.
https://www.museedelachartreuse.fr